Third, and final, box set includes he Tenement Year (1988), Cloudland(1989), Worlds In Collison (1991) and Lost Album (1989). With Pere Ubu on hiatus since 1982s excellent Song Of The Bailing Man, David Thomas had recorded a much-praised solo album and the band had now signed to a major label. In a period of rampant world commercialism, what would happen next? Another crucial era for the band unraveled, Pere Ubus journey charted new undulating territory and so began a three-album escapade that retooled our understanding of what pop music is. The third in the four-part boxed set series, Les Haricots Sont Pas Sale1987-1991 sits between The Architecture Of Language 1979-1982 and Drive, He Said 1994-2002. Solid as the band can be, it's also likely to dissolve songs from the bottom up. For all Pere Ubu's uncertainty, the band isn't arbitrary; its music has the off-the-wall unity of a Marx Brothers routine, said Jon Pareles of The New York Times on The Tenement Year. One year later and things were further obscured with Cloudland when they released their industrial-strength equivalent of a class Beach Boys album from musicians more familiar with factories than surf. (Greg Kot, Chicago Sun Times). Then, in 1991, Worlds In Collision became the most atmospheric, carefully sculpted recording in the band's 13-album catalog. (Tom Moon, Spin). Here we have Pere Ubu between 1987 and 1991 with three phenomenal pop albums, together with the Lost Album, an 11-track record of demos that sounds like they'd loosened the nut and bolts of the genre even further. Four of these tracks, Around The Fire, Down By The River, Like A Rolling Stone and Invisible Man were recorded as demos for the album originally designed to follow Cloudland. Referred to by the band as The Lost Album they are now joined with songs from Cloudland that wouldn't fit on the original vinyl release due to the length limitations of vinyl.